Showing posts with label Wolfgang Puck. Show all posts
Showing posts with label Wolfgang Puck. Show all posts

Monday, December 26, 2016

KNIVES OUT FOR THE TERRITORY

So here I am, trying gamely (you may say desperately and shamelessly) to drum up a little publicity for the most recent Nicholson title The London Complaint, a short book about the perceived and real horrors of London.  It’s not a food book by any means though there is a chapter titled “A Bellyful of London” about the perceived and real horrors of London food.  The extract down below deals with what we might as well call food critics. 


I’m also partlywriting this because I just read a piece on eater.com titled “The Best of 2016’s Bad Restaurant Reviews” – and honestly I thought some of these bad reviews were amazingly gentle.  Ryan Sutton criticizes a New York restaurant called Vandal for serving beef tartar over a hot pretzel, “resulting in hot mush’ he says.  But that doesn’t seem like a bad review, just a straightforward description of a terrible, terrible idea.  It looks like this apparently:


Besha Rodel calls Otium in LA a ”souped-up version of every trendy restaurant in town” – which I think is positively benign.  When that place opened I assumed most of the world would refer to it as “Odium.”  Nice enough looking room, although those chairs look about as comfortable as tractor seats.


Actually the most startling line in the whole piece eater.com piece reveals that a bottle of Evian mineral water at Cut by Wolfgang Puck, in New York, costs $33 dollars.  No wonder Wolfgang looks happy, if frankly a little nervous.


Even the blessedly demonic Jay Rayner seems to easing off a little, certainly in his description of a dish he ate a London restaurant called Tapas 27 “It was, I suppose, a deconstruction of a boeuf bourguignon. It was also the systematic dismantling of all my culinary hopes and dreams.” That sounds more in sorrow than in anger, to me.

Anyway, here’s some of what I wrote in The London Complaint:

 **

“There was surely never a time when people didn’t share information about what was and wasn’t a good place to buy or eat food in London, celebrating the good and especially complaining about the bad. Restaurant criticism is generally said to have begun in France with L’Almanach des gourmands, an annual publication that appeared from 1803 to 1812, written by Alexandre Balthazar Laurent Grimod de la Reynière, but England, and especially London, duly joined in.
Various guides to eating out in London appeared in the mid nineteenth century, an example being London at Dinner: Where to Dine, published in 1858, written anonymously. It’s still a good read, full of general and specific advice about eating out in the capital, and generally positive and upbeat in tone, though naturally there are some complaints – about illumination, for instance. ‘It is of the utmost importance that the dining-room should be well-lighted; this is a point often neglected at the tables of people who ought to know better, but are too indolent to give directions.’
The author is also concerned with the nature of menus:
In ordering a dinner at a London tavern, at a suburban one, or a country inn, the bill of fare is the most misleading guide in the world. It usually contains seven or eight soups; fish plain and dressed in twenty ways; with every dish that the ingenuity of a man or woman can make out of beef, mutton, veal, and lamb – and in twenty-nine cases out of thirty it happens that what you particularly fancy out of the list is not to be had.
That sounds like a perfectly reasonable gripe. 
Our man is also worried that London cuisine is being infiltrated and subverted by foreign influences: ‘Leicester Square is the haunt of foreigners, and as they continue to frequent its restaurants, we must presume they are content with the fare provided for them. To English tastes they might not seem so satisfactory.’ And later he writes:
Strangers in London, with money at command to dine when, where, and how it may suit their fancy, can, with perseverance and tact, always gratify their propensities in reason, but we cannot undertake to direct the voluptuary where to pamper his palate and sow the seeds of wretchedness for himself. It is not in him to be satisfied anywhere. We address ourselves to the saner portion of society.
By the end of the nineteenth century Lieutenant Colonel Nathaniel Newnham-Davis had emerged as a great democratiser and demystifier of the London gastronomic scene. He wrote about food for the Pall Mall Gazette, and in 1899 published a restaurant guide titled Dinners and Diners: Where and How to Dine in London, which he updated two years later. In 1914 he published the Gourmet’s Guide to London. He claimed his audience was ‘the Respectable Classes’, and, as a former military man, he referred to himself as a ‘soldier of the fork’.
Newnham-Davis isn’t happy about the growing number of French restaurants in London, but he says that in general complaining isn’t style. ‘I prefer to consign to oblivion the stories I could tell of bad eggs and rank butter and cold potatoes, stringy meat and skeleton fowls. It is so much better for one’s digestion to think of pleasant things than to brood over horrors.’ This is a little frustrating, it leaves you wishing he’d complain a bit more, and let us savour the details of the failings of those terrible London restaurants he’s been to, but perhaps I’m looking at this through contemporary eyes. Complaining about bad food has today become a rich source of entertainment.
And these days all the amateurs are in on the act too, thanks to Yelp and Tripadvisor. Here you will find essentially anonymous reviews from people you don’t know, whose tastes you don’t share and whose opinions you don’t respect, but just occasionally the complaints soar into the realms of absurdist poetry.
‘The grouse is just horrible and smells like poo.’ That’s a review by somebody called ‘Pier 1’. This next one is from will D., Manhattan, NY:
The food disgusted me. I got Bullets in my meat. I founds them on my mouse . . . It unacceptable. I told the restaurant manager but he won’t say any sorry. He said, ‘YOU CAN EAT THEM, NO PROBLEM.’ He is a crazy . . . Really really discussing. NEVER AGAIN. Beside that, all the dishes I ordered, I could not eat it. It’s kind of food for camping . . . very wild . . . way of cooking, looks like and taste . . . Also the restaurant has full of toilet smell, I am wondering why people not recognised this . . . Why this restaurant is so good? I don’t get it. Anyway Never again. It’s my nightmare.
Both these reviews are of Fergus Henderson’s restaurant St John, which happens, in many opinions, including mine, to be one of the great restaurants in London; and it has somehow managed to survive these complaints.

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Tuesday, March 18, 2014

WELLESIANA


“Ask not what you can do for your country. Ask what’s for lunch.” This is supposedly a quotation from Orson Welles.  It sounds apocryphal, but maybe it’s for real.  I hope so.

I suppose, in the end, nobody would really want to model themselves on Orson Welles.  Yes, he made Citizen Kane, Touch of Evil, The Third Man, and he married Rita Hayworth, that sounds like more than enough for one lifetime.   But he had so many thwarted projects, so much frustration and rage, manifested not least in his obesity, that most of us wouldn’t want actually to live his life, I think.


But in one small way I did used to emulate Orson Welles.  I read that whenever he called up a restaurant to make a reservation he booked a table for one more person than was actually coming.  I thought that was a great idea, and did it myself when I lived in London and New York.  If there were two of us having dinner I’d book a table for three,  if three were coming I’d book a table for four, and so on.  I didn’t need as much extra room as Welles did, but tables in London and New York restaurants are so damn small you need every bit of extra room you can get.  I’d arrive at the restaurant and say one of the party wasn’t coming, but they’d still put us at a bigger table.  It didn’t work every single time, but surprisingly often it did.


I recently found the above image of Welles and Peter Bogdanovich in a supermarket.  I don’t know the story behind the picture, but it does relate to one of Bogdanovich’s great, and possibly tragic, anecdotes about Welles.  Bogdanovich was acting in Welles' unfinished movie The Other Side of the Wind (1972), and came upon Welles, alone, in hiding in some far corner of the set, eating a giant size bag of corn chips.   Welles explained, "You don't gain weight if nobody sees you eating.”




Welles regularly complained that when he was trying to get money for a film project, could call up any producer and they’d happily do lunch.  Everyone wanted to be able say they’d had lunch with the great Orson Welles, but nobody ever wanted to give him money to make a film.


Here’s a very short extract from Henry Jaglom’s book My Lunches with Orson, transcripts of their meals together in LA in the 1980s.  Here they are at
Ma Maison.

The waiter arrives.
Waiter: Would you wish the salad with grapefruit and orange?
O.W.: That’s a terrible idea. It’s awful—typically German.
H.J.: They ruined the chicken salad when they started using that mustard. It’s a whole different chicken salad.
O.W.: They have a new chef.
Waiter: Roast pork?
O.W.: Oh my God. On a hot day, roast pork? I can’t eat pork. But I’ll order it, just to smell pork.     
The waiter departs.

The “new chef” of course was Wolfgang Puck.


Monday, September 12, 2011

MENU MADNESS


Last week I went to the launch party for Jim Heiman’s book “Menu Design In America, 1850-1985,” a title that speaks for itself.    It was held in the Taschen bookstore in Beverly Hills.


 The party coincided with Jim’s wedding anniversary, 38 years married to the divine Roleen, and the mood was suitably celebratory.  Some of the food was provided by the Beverly Hills Cheese Store, and knowing how much they charge for their cheese it seemed there must have been a grand’s worth of the stuff. 


Pizza was provided by Wolfgang Puck, and the man himself put in an appearance, somehow looking even more like himself in person that in photographs, if that makes sense.  (These photographs here are from the Taschen website).  Not for the first time, I wondered how Mr. Puck have got on in his career if he’d been called Fritz or Johan.   Nobody forgets a Wolfgang.



A while back, I interviewed Jim about the book for Gourmet Live – and that interview will be appearing in due course, though I think not any time soon.


One of the things that didn’t make it into that piece was a discussion about nudity on menus.  Jim said that when he started collecting menus he was amazed by just how raunchy certain designs were.  




His explanation was that in the late 19th and early 20th twentieth centuries restaurants were largely male preserves.  Women, at least decent women, weren’t to be found in restaurants so menus could be as explicit as they liked.  There were “ladies” to be “offended.”

Even so it comes as a surprise to find the menu below showing a semi-naked woman, a giantess I suppose, with multicolored liquid (some kind of cocktail?) pouring from her breasts and a group of tiny men below catching it in glasses. 


I don’t know exactly what went on in the French Casino in Chicago, but something tells me it can’t have been nearly as much fun as the menu suggests.